Why Queer Art is Relevant
by Michael Kirwan — July 4, 2012
It might seem somewhat self-serving for me to try
to make the case for homoerotic art produced within the gay
community (as opposed to the corporate marketing of barely clad
sports figures and whatnot). Then again, who is in a better position
to address the issue than someone like me who has made a living in
this particular field for over twenty years? So if my
assessment/argument seems tiresomely biased... well, just take that
into account if you feel the need to respond, correct or refute my
basic premise.
We as a tribe have existed for thousands of
years. Our existence was mostly isolated and necessarily secretive
because I imagine that from pretty early on there were elements in
society (religious outfits in particular) that abhorred the idea of
certain people willingly disregarding the biological imperative to
procreate. Queers weren't following the rules. Queers were actively
defying the authorities that determined the "proper" way to live and
thus we were relegated to criminal status for exercising our sexual
autonomy. We plied our trade in the dark, becoming experts at lying
and deceiving in order to survive.
I'm talking about hardcore homos here, not the
straight guy who occasionally assents to a blowjob in a rest stop or
the men who by virtue of circumstances (early cowboys, miners,
trappers, sailors, those at all boy/men institutions, prisoners,
etc.) had little or no access to women and enough privacy and libido
to engage in casual sodomy. We, the real queers, who define
ourselves by our attraction and desire for other men [just an aside
here, I speak only for the male population of homos unless I specify
otherwise. Lesbians are capable enough to describe their own views
and positions] are a separate and special division of the human
race. Once we understand and accept that the cultural insistence
that "boy meets girl" doesn't apply to us, we are given a gift. From
an early age (in most cases), we realize that what is taken for
granted as "true" is fluid and we can and do question all the other
assumptions that society demands we uphold unconditionally. We are
armed with the knowledge that they lie or are ignorant; that their
interpretation of morality are man-made constructions; and that we
must adhere to a level of self-reliance several degrees above what
"normal" people require. WE know our truth and are fortuitous enough
to glean other "big picture" truths about the world, about human
psychology, about social manipulation, and how those who claim the
authority to control our behavior are our enemies.
What differentiates us from them is sex. We are
HOMOSEXUALS. It's not the color pink or Judy Garland or decorating
skills or our gentle natures that divide us from the breeding
population. We suck cock. We get fucked. We go prowling for other
horny men to engage in queer sexual activity. We study the crotches
of other males on the bus. We are regularly looking for
opportunities to exercise our faggot imperatives. That is our
defining characteristic. That is who and what we are. It is what
connects us and the graphic representations of our "life" give us
all a measure of strength and confidence that for hundreds of years
was denied us. You know who originally stole our imagery? The
Catholic Church. They controlled the art and the myriad examples of
naked and near-naked men usually depicted in situations of
helplessness. St. Sebastian was an iconic "gay" figure for
centuries, writhing in pain/pleasure while tied to a tree and
pierced strategically by arrows. The Catholic elite sold their entire "faith" on
the portrayal of Christ, almost completely naked and nailed to a
cross. It's no wonder fags were always drawn to that institution,
spending their entire youth staring at the crucified Jesus and being
indoctrinated with the belief that this man loves you and needs you
to love him, fervently and forever. Of all the episodes attributed
to Christ's life, why did they select this part of the fable to
exploit? There are no statues of John Kennedy with a
massive hole in his head or old, fat Elvis collapsed on a bathroom
floor. No, the Roman Catholic Church from almost it's inception
decided to market their organization using homoerotic themes to lure
in it's target audience, and possibly to fill the ranks of it's
hierarchy with queers who were unparalleled in their skills of
manipulation, creating illusion and orchestrating behind-the-scenes
power coups.
I got a little off-track there. The point was
that for the last sixty years or so, we fags have created and
disseminated our own artistic vision of ourselves and did not have
to rely on sources that might inadvertently show some cock or muscle
or queer affection in a different context. The iconography of Tom of
Finland absolutely unified the gay community to the extent where the
Gay Liberation movement was possible. We suddenly had a sensory commonality
that was exclusively our own, not patched together bits and pieces
from the detritus of the straight culture. It's important that we
control the language that describes us. It's important that we
produce the visual archaeology of our existence. It's important that
we retain our own voice, our own power, our own unique
sensibilities.
So, please help keep people like me in business.
The gay-porn, print magazines have mostly dried up and now there are
hardly any commercial venues open to people who create gay erotic
artwork. I know of at least eight very good artists who have had to
get out of the business because there no longer is a reliable
industry from which we can derive adequate incomes. If we are not
doing it anymore, some corporate entity who has never been on his
knees covered in cum from multiple sources somewhere in a park at
4:00 a.m. will be tasked with telling the world who we are. Do not
hand over our self-identification to folks that might not have our
best interest at heart. Buy gay art books ("Just So Horny" is
available on
Amazon.com,
tlagay.com, and other similar outlets, but
I would suggest getting it from a gay bookstore —they too are dying out
and we really need to support ALL queer businesses), go to queer
film festivals, dine at queer-centric eateries. The more independent
money we have invested in our community, the better off we will all
be when the straight people decide to vilify us again in the future.
And that will happen. When times get tough, scapegoating weaker
sectors of society becomes a blood sport. As so many of us disperse
out of the gay ghettos into new territories in an effort to
assimilate and be "just like them," we are weakening our safe
havens, our communal identity, and ultimately the core essence that
provides whatever protection we might have in a decidedly hostile
world. Buy original art. Of course I'd like to have hundreds of
collectors from all over the world determined to own scads of Kirwan
drawings, but there are plenty of other artists that also need the
funding, the accolades, and the financial security to continue
telling our own stories. Our identity is based on our sexuality and
we need those representations to affirm and express our very being.
Hang a drawing of some cocksuckers at work on
your wall
TODAY!
Gay Pride, my brethren, Gay Pride. Nothing else
matters.
Later. |